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- 29. November 2024
The snow-covered Bavarian Forest offers unique opportunities for nature photographers. In this article, I share five tried-and-tested tips for successful winter shots in the wildlife reserve - from the right equipment and optimal lighting conditions to the behavior of the animals. Perfect for anyone who wants to capture the winter wilderness authentically.
Julius Kramer
Wildlife Photographer & Conservationist
Covered in snow, the Bavarian Forest National Park is transformed into a magical open-air photo studio in winter. I find that the cold season in particular offers unique opportunities for extraordinary wildlife shots.
However, the combination of glistening snow in the Bavarian Forest and exciting wildlife presents us photographers with special challenges. Perfect shots in the winter forest require not only the right equipment, but also special techniques and timing.
In this article, I share my most important tips that I have collected over the years in the animal enclosure.
Winter photography places special demands on our equipment. From my experience, I know that the right preparation is crucial to the success of a photo session.
The biggest challenge for our camera equipment is the extreme temperature fluctuations. I place my camera in a protected, cool place about an hour before the shoot so that the technology can get used to the low temperatures. When not in use, I protect the camera under my jacket - a simple but effective trick.
The batteries deserve special attention, as they lose power much more quickly in the cold. I always carry spare batteries close to my body and only change them when absolutely necessary. A small plastic box with polystyrene also works well here.
For successful winter photography in the Bavarian Forest I need some special equipment:
An important tip from my experience: Never breathe on the lens or the camera in sub-zero temperatures, as this can lead to icing. I also avoid changing lenses in winter as far as possible.
The right clothing is just as important in the draughty animal enclosure as the technical equipment. I rely on the tried and tested onion principle with several airy layers of insulation. Special photographer's gloves are particularly important to me, as they both keep you warm and provide sufficient sensitivity for operating the camera.
For longer photo sessions in the winter forest, I always pack a thermos flask with a hot drink. A warmed cherry stone cushion in the photo bag also helps to keep the equipment at a material-friendly temperature.
After the shoot, the correct treatment of the equipment is crucial. I let the camera acclimatize in the car or garage before I bring it into the warmth. This prevents condensation from forming, which could damage the sensitive technology.
More than 40 native animal species can be photographed in the two animal enclosures - it's a real playground!
I find that the Falkenstein National Park enclosure offers the best opportunities for photographing wolves. The wolves here are usually lethargic during the day, which is why I take photos particularly early in the morning or at dusk. The elevated observation points offer me the best perspectives for natural-looking shots. Caution is advised when photographing from the bridge: it sways quite a bit and with critical exposure times under 1/40s this can be a real problem.
For lynx photos, I use both the Lusen animal enclosure and the Falkenstein National Park enclosure. Both enclosures have their advantages - the Lusen animal enclosure is better suited for shots with a landscape around it, while you often get really good close-ups in Ludwigsthal (Falkenstein). The same applies here: the animals are most active in the morning and evening.
In the Lusen animal enclosure, there are numerous exciting photo opportunities along the 7-kilometer circular trail:
An important tip from my experience: During feeding times, the animals stay in one place for longer, but you can clearly see the enclosure situation in the pictures because the snow is quickly trampled underfoot. I therefore prefer the times between feedings for my photos, when the animals are showing their natural behavior.
The perfect lighting mood is the key to exceptional winter shots in the animal enclosure.
The golden hour directly after sunrise and before sunset offers me the softest and warmest light for photographing animals. I particularly like to use this time for portraits of wolves and lynx, as the soft light casts fewer harsh shadows and the snow reflects the light beautifully. However, light cover is best, as the thin cloud cover softens the dark shadows.
The blue hour - about 30 minutes after sunset - conjures up a mystical atmosphere in the winter forest. This is when I take my most atmospheric shots, especially when there is still some residual light in combination with the snow to create magical moments. However, you have to be prepared for long exposure times - but it can really be worth it.
Midday light presents us photographers with special challenges. However, I use the harsh contrasts specifically for:
When exposing in bright midday light, I recommend a slight overexposure, otherwise the snow can appear too gray and dull. I then often work with a polarizing filter to control reflections.
And otherwise, midday sun is always good for a snack with hot tea.
The winter months offer unique lighting conditions that I take advantage of. Overcast skies create soft, even lighting conditions - ideal for expressive animal portraits.
In the Bavarian Forest, I learned that there is no such thing as bad weather when it comes to winter photography. Magical moments are often created even when it's snowing. The low winter sun creates a softer light than in summer, and the snow reflects this light in a special way.
For the best results, I always plan my photo sessions in the animal enclosure depending on the weather. The weather forecast helps me to choose the right equipment and find the best time for my shots. In heavy snowfall, I use the diffuse lighting conditions to create atmospheric winter impressions.
The right camera setting makes all the difference when it comes to winter photography in the animal enclosure.
In the snow, my camera's exposure metering is regularly misled. I find that an overexposure of +0.7 to +1.5 EV is usually necessary for the snow to appear really white and not gray. For particularly high-contrast scenes, I create an exposure series with +2.0 EV to be on the safe side.
Autofocus faces particular challenges in snowfall. The falling flakes often confuse the AF system, which is why I switch to manual focus in such situations. For creative effects, I like to experiment with different shutter speeds - at around 1/30 of a second, the snowflakes leave interesting trails.
When photographing animals in the winter forest, I use continuous autofocus with a small focus field. This helps me to focus specifically on the animals and not on the snow in the foreground.
The wintry landscape in the animal enclosure of the Bavarian Forest National Park offers unique opportunities for minimalist compositions. The snow simplifies the composition as it hides many distracting details. I pay particular attention to that:
In post-processing, I work in RAW format, which gives me more leeway when adjusting the exposure and white balance. The automatic white balance tends to produce a blue cast in snow, which I correct manually.
For particularly expressive shots, I use the natural frames that the snow-covered forest offers me. I use deep snowdrifts or snow-covered branches as foregrounds. This creates images with a greater sense of depth that perfectly capture the winter atmosphere in the animal enclosure.
The key to animal photography is always to understand the behavior of the animals. Especially in the snow-covered animal enclosure, the inhabitants show fascinating behavioral patterns.
In winter, I observe how the animals adapt their activities to the cold season. The lynx are mainly active at dusk, while during the day they seek out sheltered resting places in caves or dead wood.
The winter behavior of the animals in the animal enclosure is diverse:
I have found that feeding times offer special photo opportunities. However, I would advise you to be there at least one hour before feeding time to find the best position. You should also be patient and wait after feeding to see if anything else happens.
Even in winter, when it comes to animal photography, it pays to sit still. Although the animals live in enclosures, it is often very difficult to see or even photograph them. “Normal” visitors often even doubt that animals live there at all.
My years of experience with winter photography in the Bavarian Forest National Park
Winter transforms the animal enclosure into a magical photo location that inspires us photographers anew with every visit. With the right preparations and a little patience, you too can create impressive winter shots that perfectly capture the natural beauty of the animals in their snowy surroundings.

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